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1. #Bette midler big business alexis quote how to#
2. #Bette midler big business alexis quote movie#
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If City Bette was who I wanted to be like, then Country Bette was who I was growing up. If Big Business has one profundity, it is the meta-overlay when Country Bette is forced to assume the identity of City Bette and uses a Joan Collins monologue from Dynasty to make a business decision.

There’s a tripled vision, as we learn while watching Country Bette who herself is learning while watching. Like me, Country Bette also informs how she acts in the world with what she sees in media, specifically Dynasty. Like Country Bette, I often prayed an alien abduction would save me from my pedestrian town and take me away to someplace exciting, someplace I could fit in and wear press-on nails. (Yet.) Country Bette, because she is cut from the city cloth, yearns to be a part of the big city, to be glamorous, to see a world larger than the one she’s known. If City Bette was who I wanted to be like, then Country Bette was who I was growing up, though I have never yodeled with a cow or steel drum band. As sharp as her shoulder pads, she has a fully embodied self-confidence and a camp ferociousness that is infectious. City Bette is a proto-Miranda Priestly figure, one of the early templates for the corporate bitch we love to watch and hate.

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I learned how to be strong watching Bette. In studying her movies, I learned how to carry myself, how to camp myself, how to be bawdy, and how to tell a whole bunch of sex jokes I was too young to understand. I was obsessed and it really started with this movie.

I enrolled myself in the Bette Midler School of Life early. Mistaken identities occur and it all builds up to the moment worlds collide in the women’s bathroom of the Plaza Hotel.

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But other than that, the movie is fully focused on showcasing the amazing talents of its leading ladies.

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There are romantic interests for each woman, of course, a tweenage Seth Green plays City Bette’s rascal son, Sly, and the film does earnestly expects you to fall in love with a down-home professional putt-putt player. (But for the purposes of this piece, we’ll call them City Bette, Country Bette, City Lily, and Country Lily.) When the treacherous City Bette decides to liquidate the factory in Jupiter Hollow her company owns, Country Lily and Country Bette come to New York to confront her at the stockholders meeting, not knowing they were about to encounter their identical twins. One set (the Sheltons) lives in New York, while the other set (the Ratliff’s) remains in the small town of Jupiter Hollow, West Virginia. Jim Abrahams‘ film features Midler and Tomlin as two pairs of twins, Sadie and Rose, who were mixed up by a confused country nurse. But for young audiences, it may percolate some revolutionary questions. The subversive elements in this film are safe and don’t really threaten the capitalist world order with any sort of bite because this movie isn’t terribly concerned about having a message. Is 1988’s Bette Midler/ Lily Tomlin comedy Big Business (1988) going to be a text taught in the revolutionary underground? Absolutely not. Queerness and the Small Subversions of “Big Business”īette midler and lily tomlin in big business